|
ROY STEELE'S PROFESSIONAL BASKETBALL CAREER |
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Camden Courier - July 28, 1913 |
|
Alpha Club - Broadway
- Basketball
- Roy
Steele - Jackie Adams |
Philadelphia Evening Public Ledger * November 21, 1917 |
|
![]() |
![]() ![]() |
Jimmy "Soup" Campbell - Roy Steele - Neil Deighan - Jimmy Brown |
Philadelphia Inquirer * December 9, 1917 | |
![]() |
![]() |
...continued... | |
![]() |
![]() |
Jimmy
"Soup" Campbell - Roy Steele -
Neil Deighan -
Dr. Charles B.
Helm Jack Kelly - Chol Engle - Pete Kilpatrick - Willie Miller |
Camden
Crusaders |
Front
row, left to right: Jimmy “Soup” Campbell and Joe
Hyde. Click on Image to Enlarge |
Camden Courier-Post - February 2, 1938 |
N.
J. Beverage Association Opposes State Stores MORE POWER URGED FOR BURNETT OFFICE ON FAIR TRADE PACT Curb on Price Cutting Sought in Resolution of State-wide Organization HEAVY PENALTIES ASKED The New Jersey Licensed Beverage Association, in a one-day special convention, passed resolutions flatly opposing inauguration of state-operated liquor stores in New Jersey and asking the Legislature to grant State A. B. C. Commissioner D. Frederick Burnett wider powers to enforce the Fair Trade Act it was announced last night by Neil F. Deighan, president of the association. Deighan reported the Camden and Jersey City delegations offered the only open opposition to the resolution against the state stores. They argued, Deighan said, that the association may be forced later to advocate state stores to break up price cutting by package stores. The additional powers asked for Burnett are designed to break up price cutting, Deighan pointed out. He said the resolution asks setting of mandatory penalties, to be enforced by Burnett, of 30 days suspension for the first offense and license revocation for the second offense against the fair trade act. Deighan said he supported the anti-state stores resolution, both personally and as president. The association, which met Monday in 'Trenton, also passed a resolution urging that breweries be placed under the same Federal permit system as that which now prohibits ownership of liquor selling establishments by distillers. Another resolution continued a committee, authorized to select private brands of whisky to bear the association's emblem and to be sold only by association members. The association also passed a resolution disavowing criticism of Burnett as expressed in quotations from Roy Dunn, counsel for the Original Tavern Owners' Association of Newark, in the Newark News of January 28, went on record as being "not in agreement" with the criticism, and commended Burnett's administration. Deighan said the resolution pointed out also that "the association represented by Mr. Dunn is not affiliated with the New Jersey Licensed Beverage Association." A resolution urging the display of "Buy American Whisky" signs in taverns was passed also. Deighan was given a vote of confidence by the delegates when questions involving administration policies was brought up, John Pennington, head of the Camden Unit, reported. Camden delegates to the convention were Pennington, Roy Steele, Alfred Munyon, Bruno Bronislaus, Celia Ellis and Tony Paretto. |
1939 Industrial
Union |
Downtown Camden - 1957 Indicated by the red dot, 565 Carman Street lay just east of Broadway, behind the Broadway (later known as the Midway) Theater. Roy Steele's Tavern was directly across the street. To the left you can see where the tavern and Carman Street lay in relationship to City Hall, the old Camden County courthouse, and Camden Catholic High School. All but City Hall were gone by the end of 1961. The Parkade Building had not yet been built. |
|
|
More about STEELE'S SHIP BAR in Somers Point, New Jersey |
Much has been written of the Point in the 1960's. The rock and roll bars, the great music and the endless summer party. Steele's shared some of that, but it's real era was the decade before--the fifties. The post-war fifties was a gracious time when people wanted to forget the horror of World War II and the Great Depression. It was like the whole country could breathe a sigh of relief. The economy was booming and so were families. It was a time that was right for music, dancing and partying till dawn. The Ship Bar was quite plain on the outside. The only unique characteristics were the front door that was wooden with a porthole window and the other windows which were all port holes. Inside there was the main ship bar complete with bandstand in the center. Surrounding the main bar were four smaller bars. These were in the shape of docks which completed the nautical theme. The walls behind these bars were painted to resemble harbor scenes. They had all been created by Elmer's friend Charlie Shane. In the later years, the front door was replaced with a double glass front door. A side addition to the original structure added three more side bars, bringing the total number of bars to seven. Over the years many bands played in the bar. The first memorable one was Dave Apple and the Applejacks. Bill Haley and his Comets were there. A group called Dicky Doo and the Don'ts, Pete Carrol and the Carrol Brothers and in the later years Mike Pedicin became the regular attraction. These bands never took their audiences for granted. They knew there was too much competition next door and across the street. Customers could be lost very easily if the band wasn't catering to what they wanted to hear. The band members constantly came up with new ideas and gimmicks to keep the entertainment new. Mike Pedicin's band had an excellent drummer. He would do a drum solo with his hands in white gloves and blue lights shining on him. The house lights were turned down and the only thing you could see were the hands flying. The only sound was a magnificent drum solo. New acts and performers were always joining the regulars on stage. The bands, however, were not the only attractions at Steele's. There were the regular bartenders that people came to count on for entertainment as well. Mac MacNamara was there season after season. It was said that Mac once played with the Boston Pops and wrote MacNamara's Band. Somehow he got sand in his shoes and made his home at the Jersey shore. He would share his gift on the violin with the whatever band happened to be appearing. Patrons who were not regulars were always surprised when their bartender suddenly joined the band and played his wonderful songs. There was also the group known as the Cherry Sisters. This group would consist of a group of younger bartenders dressed as women in feed sacks, straw hats and scarves. They would also become part of the floor show. Jim Ross was usually the lead singer of the Cherry Sisters. In addition to the regular bartenders, each year a group of college kids would earn next year's tuition tending bar for the summer at Steele's. This was the group that usually attracted the younger female college students each summer. Although the Ship Bar was named a bar, it was really a night club. It usually opened around noon. By day, fisherman would come in for a couple of drafts. If it was a rainy day, you might get some of the beach refugees. During the dinner hour the bar was very quiet. The music would start at nine and Elmer would be there, in his white dinner jacket, to great his guest. Those were the days when people still dressed to go out for an evening. Ladies dressed to the nines, men in their summer suits. There were three distinct groups of customers. The first were natives of the area who would cap off a day of fishing or golfing with an evening at Steele's. The second were the Ocean City summer visitors that had finally worn the children out on beach and boardwalk and now where looking for some great entertainment. The last group were the college students out on the town looking for summer romance. They would all come to Steele's. Elmer used to joke that it was only a good house if those that fainted had to remain standing up because there was no room to fall. Elmer was also part of the fun at Steele's. He always had a gimmick. He would dress up as a trapeze artist in long johns and boxer shorts and do a skit with the band. He'd walk into the bar on a busy evening with a ladder, paint cans, overalls and at least one tooth blacked out and just start painting. Everyone including the band would wonder where this strange man had come from and what he was doing painting the wall in the middle of a busy evening until they realized it was just another of Elmer's gags. He advertised a special appearance of Liberace and had a look-alike show up. He'd get on stage with the band and lip-sync with the lead singer. Most of all he would entertain people with great stories. He was a great joke and story teller that genuinely enjoyed people. In the early days, one band playing was usually sufficient to keep the crowd for the evening. As time wore on and Tony Mart's and Bay Shores began to compete for the same customers, the music would have to be constant or you could loose your entire crowd during a break. So when one band would go on break another would pick up the music and no one would notice the difference. The job of the entertainers didn't stop at break time. Most of their breaks were spent chatting with the various groups of regular customers. Everyone wanted to be friends with the band and owner and be able to say they knew so and so personally. What did Bay Avenue look like back then? It was very different from today. If you were coming around the circle the first street that took you down to the bay was Goll Avenue. At the corner of Goll and Shore Road there was a billboard for Steele's. When it was put up, Mike Pedicin was playing at Steele's. His lead guitarist was Sammy. Sammy not only played guitar, he also charmed the audience with "risqué ditties" and so earned the name of "Sexy Sam". The billboard originally advertised Mike Pedicin featuring "Sexy Sam". Since this was the fifties, the sexy had to go. So for billboard purposes "Sexy Sam" became "Suburban Sam". As you turned onto Goll Ave, you would pass the old brick trolley station on your left and at the bottom on the hill on your right was the Gateway. For a few glorious summers it was the Gateway Theater. A summer stock theater that had marvelous shows. When it was open they would use search lights to attract people. If you followed along the Bay front the next structure was a little pier and in the summer it magically became "Ray White's Ski School" complete with ski jump for the braver set. Bay Shores occupied the lot next to the Ski School. Next to Bay Shores was a beautiful old seashore home that was called the "Customs House". In summer The Customs House had the only front lawn on the corner. Unfortunately, this home was subsequently torn down and replaced by a miniature golf course and penny arcade. Completing the corner was "Dick's Dock" featuring smelly bait and leaky boats. Tony Mart's and Steele's Ship Bar were located across the street from Bay Shore's, The Custom House and Dick's Dock. This was the corner. In one day you could fish, crab, water ski, see a Broadway show and dance, drink and hear great entertainment till the wee small hours. (2:00 am for music, 3:00 am for drinks.) Tony Mart's was right next door to Steele's with only a narrow alley in between. The alley was large enough for a dolly with a keg on it and that's about it. The owner was Anthony Marotta. Although Marotta and Blake were direct competitors they also had a great deal of respect for each other. In the early days Tony Mart's employed a band called Len Carey and the Kracker Jacks. They were quite an act. The lead played saxophone and was also a contortionists of sorts. He would play that horn from almost any position; it was amazing. As part of the advertising for this band, Tony Mart's would give away boxes of Cracker Jacks. Weekends in the summer on Bay Ave. were the best. Each of the bars had what they referred to as a jam session or matinee. From 3:00 to 6:00 the bands would play and people would come in casual clothes to party. Rain drums were beaten on weekend afternoons to get the Shoobies off the beach. The clubs would shake with the sounds of "Someone's in the Kitchen with DinaHHHHHHHHH" "Alabama Jubilee" and endless cheers as a new keg was tapped. After the matinees, customers would go back to their rental houses, clean up, have a little dinner at Mac's, Daniels, or the Bala Inn and be back in time for the bands to start again at nine. The Summer season usually started on Easter Weekend. Many visitors and locals would join the Easter Parade in either Ocean City or Atlantic City and then spend their afternoon on Bay Ave. It was always fun to see the ladies in their new Easter suits, bonnets and corsages. Usually by the end of the day the suits were wrinkled, the flowers wilted and the hats slightly askew but a good time was had by all. Most of the places including Steele's were open on weekends from Easter to Memorial Day. Memorial Day weekend became the official start of summer and seven nights a week of rock and roll. Labor Day meant the end of summer. The corner would go from noisy, crowded, brightly lit to a ghost town the next day. The bands would play their last song and say good-bye for the winter. The cars would leave the parking lot for the last time and finally the band members would have all their equipment packed up in their cars and leave. Summer was over and the party at the corner ended for another season. Thank
you to Elizabeth Blake Houck |